{"id":32699,"date":"2023-05-19T10:35:10","date_gmt":"2023-05-19T14:35:10","guid":{"rendered":"https:\/\/cpaq.ufms.br\/?page_id=32699"},"modified":"2025-02-24T14:44:37","modified_gmt":"2025-02-24T18:44:37","slug":"letras-projetos-e-orientacoes","status":"publish","type":"page","link":"https:\/\/cpaq.ufms.br\/en\/letras\/letras-projetos-e-orientacoes\/","title":{"rendered":"Letras &#8211; Projetos e Orienta\u00e7\u00f5es"},"content":{"rendered":"<div class=\"panel panel-info\"><div class=\"panel-heading\">Projetos<\/div><div class=\"panel-body\">\n<div class=\"alert alert-info\"> Projetos desenvolvidos por docentes do curso.<\/div>\n<table class=\"table table-hover table-striped table-sm\" style=\"height: 4681px;width: 100%\">\n<tbody>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;text-align: center;height: 24px\"><strong>Tipo<\/strong><\/td>\n<td style=\"width: 34.6404%;text-align: center;height: 24px\"><strong>Titulo<\/strong><\/td>\n<td style=\"width: 16.69%;text-align: center;height: 24px\"><strong>Docente Coordenador<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\"><strong>Inicio\u00a0<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\"><strong>Fim<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 103px\">\n<td style=\"width: 8.66964%;height: 103px\" width=\"13%\"><strong>Ensino<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 103px\" width=\"32%\">8\u00ba SEMIN\u00c1RIO PARA APRESENTA\u00c7\u00c3O DE TRABALHO DE CONCLUS\u00c3O DE CURSO DOS CURSOS DE LETRAS\u00a0UFMS\/CPAQ<\/td>\n<td style=\"width: 16.69%;height: 103px\" width=\"18%\"><strong>Diana Milena Heck (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 103px\" width=\"17%\">03\/2023<\/td>\n<td style=\"width: 20%;height: 103px\" width=\"17%\">12\/2023<\/td>\n<\/tr>\n<tr style=\"height: 82px\">\n<td style=\"width: 8.66964%;height: 82px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 82px\" width=\"32%\">AN\u00c1LISE DO DISCURSO ECOSSIST\u00caMICA: REFLEX\u00d5ES SOBRE LINGUAGEM E DISCURSO EM DI\u00c1LOGO COM A EPIST\u00caME ECOL\u00d3GICA<\/td>\n<td style=\"width: 16.69%;height: 82px\" width=\"18%\"><strong>\u00a0S<\/strong><strong>amuel de Sousa Silva (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 82px\" width=\"17%\">20\/06\/2022<\/td>\n<td style=\"width: 20%;height: 82px\" width=\"17%\">20\/06\/2024<\/td>\n<\/tr>\n<tr style=\"height: 79px\">\n<td style=\"width: 8.66964%;height: 79px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 79px\" width=\"32%\">NELIM \u2013 N\u00daCLEO DE ESTUDOS DE ECOLINGU\u00cdSTICA E IMAGIN\u00c1RIO<\/td>\n<td style=\"width: 16.69%;height: 79px\" width=\"18%\"><strong>Samuel de Sousa Silva (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\"><\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\"><\/td>\n<\/tr>\n<tr style=\"height: 79px\">\n<td style=\"width: 8.66964%;height: 79px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 79px\" width=\"32%\">DISPUTA E RESIST\u00caNCIA NOS MOVIMENTO DO SOCIAL<\/td>\n<td style=\"width: 16.69%;height: 79px\" width=\"18%\"><strong>Flavio da Rocha Benayon (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">01\/06\/2023<\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">01\/06\/2028<\/td>\n<\/tr>\n<tr style=\"height: 79px\">\n<td style=\"width: 8.66964%;height: 79px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 79px\" width=\"32%\">NARRATIVAS DE PROFESSORES DE L\u00cdNGUA EM FORMA\u00c7\u00c3O<\/td>\n<td style=\"width: 16.69%;height: 79px\" width=\"18%\"><strong>Cristiane Schmidt (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">01\/08\/2022<\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">01\/08\/2027<\/td>\n<\/tr>\n<tr style=\"height: 79px\">\n<td style=\"width: 8.66964%;height: 79px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 79px\" width=\"32%\">FORMA\u00c7\u00c3O CONTINUADA DE PROFESSORES E A EDUCA\u00c7\u00c3O INCLUSIVA DO ALUNO SURDO<\/td>\n<td style=\"width: 16.69%;height: 79px\" width=\"18%\"><strong>Rejane de Aquino Souza (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">01\/09\/2022<\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">01\/09\/2025<\/td>\n<\/tr>\n<tr style=\"height: 127px\">\n<td style=\"width: 8.66964%;height: 127px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 127px\" width=\"32%\">BULLYING E PRECONCEITO: DISTIN\u00c7\u00d5ES E RELA\u00c7\u00d5ES<\/td>\n<td style=\"width: 16.69%;height: 127px\" width=\"18%\"><strong>Profa. Rejane de Aquino Souza &#8211; pesquisadora colaboradora<\/strong><\/td>\n<td style=\"width: 20%;height: 127px\" width=\"17%\">01\/10\/2021<\/td>\n<td style=\"width: 20%;height: 127px\" width=\"17%\">01\/08\/2025<\/td>\n<\/tr>\n<tr style=\"height: 103px\">\n<td style=\"width: 8.66964%;height: 103px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 103px\" width=\"32%\">A PRESEN\u00c7A DO CINISMO E DO ESTOICISMO NAS LITERATURAS EM PORTUGU\u00caS E ESPANHOL DOS S\u00c9CULOS XVI, XVII E XVIII.<\/td>\n<td style=\"width: 16.69%;height: 103px\" width=\"18%\"><strong>Edelberto Pauli J\u00fanior (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 103px\" width=\"17%\">10\/07\/2022<\/td>\n<td style=\"width: 20%;height: 103px\" width=\"17%\">10\/07\/2025<\/td>\n<\/tr>\n<tr style=\"height: 127px\">\n<td style=\"width: 8.66964%;height: 127px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 127px\" width=\"32%\">LITERATURA BRASILEIRA: QUEST\u00d5ES CONTEMPOR\u00c2NEAS<\/td>\n<td style=\"width: 16.69%;height: 127px\" width=\"18%\"><strong>Jos\u00e9 Alonso Torres, Profa. Diana Milena Heck &#8211; pesquisadora colaboradora <\/strong><\/td>\n<td style=\"width: 20%;height: 127px\" width=\"17%\">01\/04\/2022<\/td>\n<td style=\"width: 20%;height: 127px\" width=\"17%\">30\/04\/2026<\/td>\n<\/tr>\n<tr style=\"height: 79px\">\n<td style=\"width: 8.66964%;height: 79px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 79px\" width=\"32%\">A MORTE E O MORRER NA LITERATURA LATINO-AMERICANA<\/td>\n<td style=\"width: 16.69%;height: 79px\" width=\"18%\"><strong>Diana Milena Heck (UFMS)<\/strong><\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">02\/03\/2020<\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">02\/03\/2024<\/td>\n<\/tr>\n<tr style=\"height: 79px\">\n<td style=\"width: 8.66964%;height: 79px\" width=\"13%\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 79px\" width=\"32%\">PRESEN\u00c7A DO PENSAMENTO FILOS\u00d3FICO NA LITERATURA PORTUGUESA NOS S\u00c9CULOS XX E XXI<\/td>\n<td style=\"width: 16.69%;height: 79px\" width=\"18%\"><strong>Marcos Rog\u00e9rio Heck Dorneles<\/strong><\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">18\/05\/2020<\/td>\n<td style=\"width: 20%;height: 79px\" width=\"17%\">30\/04\/2024<\/td>\n<\/tr>\n<tr style=\"height: 120px\">\n<td style=\"width: 8.66964%;height: 120px\"><strong>Ensino<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 120px\">Resid\u00eancia Pedag\u00f3gica: SubProjeto Portugu\u00eas\/Curso de Gradua\u00e7\u00e3o Letras<br \/>\nPortugu\u00eas\/Espanhol\/CPAQ &#8211; PRP\/UFMS<\/td>\n<td style=\"width: 16.69%;height: 120px\"><strong>Diana Milena Heck<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2022<\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 8.66964%;height: 96px\"><strong>Extens\u00e3o<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 96px\">A\u00e7\u00f5es de curriculariza\u00e7\u00e3o da extens\u00e3o em disciplinas de L\u00edngua<br \/>\nEspanhola<\/td>\n<td style=\"width: 16.69%;height: 96px\"><strong>Diana Milena Heck<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">2023<\/td>\n<\/tr>\n<tr style=\"height: 120px\">\n<td style=\"width: 8.66964%;height: 120px\"><strong>Extens\u00e3o<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 120px\">A curriculariza\u00e7\u00e3o do est\u00e1gio obrigat\u00f3rio no curso de Letras<br \/>\nPortugu\u00eas\/Espanhol: propostas pr\u00e1ticas de reg\u00eancia em l\u00edngua<br \/>\nespanhola<\/td>\n<td style=\"width: 16.69%;height: 120px\"><strong>Diana Milena Heck<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2023<\/td>\n<\/tr>\n<tr style=\"height: 120px\">\n<td style=\"width: 8.66964%;height: 120px\"><strong>Ensino<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 120px\">SubProjeto<br \/>\nInterdisciplinar<br \/>\nPortugu\u00eas\/Ingl\u00eas e<br \/>\nLetrasPortugu\u00eas\/Espanhol-<br \/>\nPIBID\/UFMS<\/td>\n<td style=\"width: 16.69%;height: 120px\"><strong>Cristiane Schmidt\u00a0<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2022<\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 144px\">\n<td style=\"width: 8.66964%;height: 144px\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 144px\">An\u00e1lise dos princ\u00edpios das teorias de<br \/>\nmultiletramentos no componente de l\u00edngua inglesa dos materiais did\u00e1ticos brasileiros.<\/td>\n<td style=\"width: 16.69%;height: 144px\"><strong>Rayane<br \/>\nIsadora<br \/>\nLenharo<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 144px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 144px\">2026<\/td>\n<\/tr>\n<tr style=\"height: 216px\">\n<td style=\"width: 8.66964%;height: 216px\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 216px\">Pol\u00edticas afirmativas na p\u00f3s-gradua\u00e7\u00e3o<br \/>\nstricto sensu em educa\u00e7\u00e3o: acesso,<br \/>\nperman\u00eancia e titula\u00e7\u00e3o<\/td>\n<td style=\"width: 16.69%;height: 216px\"><strong>Carina<br \/>\nElisabeth<br \/>\nMaciel &#8211;<br \/>\nCoordenado<br \/>\nra-FAED\/UF<br \/>\nMS\/UEMS-CG<br \/>\nCristiane<br \/>\nSchmidt &#8211;<br \/>\nparticipante<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 216px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 216px\">2029<\/td>\n<\/tr>\n<tr style=\"height: 144px\">\n<td style=\"width: 8.66964%;height: 144px\"><strong>Pesquisa<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 144px\">MAIN &#8211; Multilingual<br \/>\nAssessment<br \/>\nInstrument for<br \/>\nNarratives: tradu\u00e7\u00e3o e<br \/>\nadapta\u00e7\u00e3o<\/td>\n<td style=\"width: 16.69%;height: 144px\"><strong>Antonio C.<br \/>\nS.Souza<br \/>\n(Uems\/CG)<br \/>\nCristiane<br \/>\nSchmidt<br \/>\nparticipante<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 144px\">2022<\/td>\n<td style=\"width: 20%;text-align: center;height: 144px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 216px\">\n<td style=\"width: 8.66964%;height: 216px\"><strong>Extens\u00e3o<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 216px\">Rondas de Charla<\/td>\n<td style=\"width: 16.69%;height: 216px\"><strong>Cristina<br \/>\nMaldonado<br \/>\n(CPTL\/UFMS<br \/>\n&#8211;<br \/>\nCoordenador<br \/>\na) &#8211;<br \/>\nEdelberto<br \/>\nPauli J\u00fanior<br \/>\n(Colaborador)<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 216px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 216px\">&#8211;<\/td>\n<\/tr>\n<tr style=\"height: 424px\">\n<td style=\"width: 8.66964%;height: 424px\"><strong>Extens\u00e3o\u00a0<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 424px\">Materiais\u00a0 Did\u00e1ticos\u00a0 Interculturais para o Ensino de\u00a0 L\u00ednguas<\/td>\n<td style=\"width: 16.69%;height: 424px\"><b>Vin\u00edcius\u00a0<\/b><\/p>\n<p><b>Massad\u00a0<\/b><\/p>\n<p><b>Castro\u00a0<\/b><\/p>\n<p><b>(coordenador); Flavio da\u00a0<\/b><\/p>\n<p><b>Rocha\u00a0<\/b><\/p>\n<p><b>Benayon\u00a0<\/b><\/p>\n<p><b>(participante); Cristiane\u00a0<\/b><\/p>\n<p><b>Schmidt\u00a0<\/b><\/p>\n<p><b>(participante)<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 424px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 424px\">2028<\/td>\n<\/tr>\n<tr style=\"height: 256px\">\n<td style=\"width: 8.66964%;height: 256px\"><strong>Extens\u00e3o<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 256px\">PROGELI- UFMS:<\/p>\n<p>Programa de Extens\u00e3o de Ensino de L\u00ednguas: L\u00edngua Alem\u00e3 Iniciante<\/td>\n<td style=\"width: 16.69%;height: 256px\"><b>Elton<\/b><b>\u00a0<\/b><\/p>\n<p><b>Furnaletto<\/b><b>\u00a0<\/b><\/p>\n<p><b>(FAALC\/UFM<\/b><b>S)<\/b><b>\u00a0<\/b><\/p>\n<p><b>Cristiane<\/b><b>\u00a0<\/b><\/p>\n<p><b>Schmidt<\/b><b>\u00a0<\/b><\/p>\n<p><b>participante<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 256px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 256px\">2025<\/td>\n<\/tr>\n<tr style=\"height: 296px\">\n<td style=\"width: 8.66964%;height: 296px\"><strong>Extens\u00e3o<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 296px\">Web Revista<\/p>\n<p>Sociolingu\u00edstica e Dialetologia<\/p>\n<p>SOCIODIALETO<\/td>\n<td style=\"width: 16.69%;height: 296px\"><b>Antonio C.<\/b><b>\u00a0<\/b><\/p>\n<p><b>S.Souza<\/b><b>\u00a0<\/b><\/p>\n<p><b>(Uems\/CG)<\/b><b>\u00a0<\/b><\/p>\n<p><b>Cristiane<\/b><b>\u00a0<\/b><\/p>\n<p><b>Schmidt<\/b><b>\u00a0<\/b><\/p>\n<p><b>participante<\/b><\/p>\n<p><b>\u00a0<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 296px\">2022<\/td>\n<td style=\"width: 20%;text-align: center;height: 296px\">&#8211;<\/td>\n<\/tr>\n<tr style=\"height: 216px\">\n<td style=\"width: 8.66964%;height: 216px\"><strong>Ensino<\/strong><\/td>\n<td style=\"width: 34.6404%;height: 216px\">Lingu\u00edstica e literatura em rela\u00e7\u00e3o: a l\u00edngua como lugar de<\/p>\n<p>interse\u00e7\u00e3o<\/td>\n<td style=\"width: 16.69%;height: 216px\"><b>Flavio da\u00a0<\/b><\/p>\n<p><b>Rocha\u00a0<\/b><\/p>\n<p><b>Benayon\u00a0<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>\u00a0<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 216px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 216px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 8.66964%;height: 72px\"><strong><b>Pesquisa<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 72px\"><span style=\"font-weight: 400\">Di\u00e1logos tem\u00e1ticos e <\/span><span style=\"font-weight: 400\">reflexivos em literaturas de express\u00e3o iber\u00f3fona<\/span><\/td>\n<td style=\"width: 16.69%;height: 72px\"><strong>Marcos Rog\u00e9rio Heck Dorneles<\/strong><\/td>\n<td style=\"width: 20%;text-align: center;height: 72px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 72px\">&#8211;<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 8.66964%;height: 96px\"><strong><b>Pesquisa<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 96px\"><span style=\"font-weight: 400\">Conflu\u00eancias <\/span><span style=\"font-weight: 400\">interdisciplinares entre\u00a0 <\/span><span style=\"font-weight: 400\">cria\u00e7\u00e3o liter\u00e1ria, produ\u00e7\u00e3o cinematogr\u00e1fica e express\u00e3o musical<\/span><\/td>\n<td style=\"width: 16.69%;height: 96px\"><b><strong>Marcos Rog\u00e9rio Heck Dorneles<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">&#8211;<\/td>\n<\/tr>\n<tr style=\"height: 120px\">\n<td style=\"width: 8.66964%;height: 120px\"><strong><b>Pesquisa<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 120px\"><span style=\"font-weight: 400\">A escolariza\u00e7\u00e3o de ind\u00edgenas terena surdos: desafios e contradi\u00e7\u00f5es na atua\u00e7\u00e3o do tradutor int\u00e9rprete de l\u00ednguas de sinais \u2013 TILS<\/span><\/td>\n<td style=\"width: 16.69%;height: 120px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2016<\/td>\n<td style=\"width: 20%;text-align: center;height: 120px\">2018<\/td>\n<\/tr>\n<tr style=\"height: 144px\">\n<td style=\"width: 8.66964%;height: 144px\"><strong><b>Pesquisa<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 144px\"><span style=\"font-weight: 400\">A coloniza\u00e7\u00e3o pela Libras da l\u00edngua de sinais dos ind\u00edgenas surdos das aldeias Olho D\u00e1gua, Barreirinho e \u00c1gua Azul, da Terra Ind\u00edgena Buriti, em Mato Grosso do Sul<\/span><\/td>\n<td style=\"width: 16.69%;height: 144px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 144px\">2013<\/td>\n<td style=\"width: 20%;text-align: center;height: 144px\">2019<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 8.66964%;height: 72px\"><strong><b>Ensino<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 72px\"><span style=\"font-weight: 400\">4\u00ba Semin\u00e1rio para apresenta\u00e7\u00e3o de Trabalho de Conclus\u00e3o de Curso dos Cursos de Letras<\/span><\/td>\n<td style=\"width: 16.69%;height: 72px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 72px\">2019<\/td>\n<td style=\"width: 20%;text-align: center;height: 72px\">2019<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 8.66964%;height: 96px\"><strong><b>Ensino<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 96px\"><span style=\"font-weight: 400\">5\u00ba Semin\u00e1rio para apresenta\u00e7\u00e3o de Trabalho de Conclus\u00e3o de Curso dos Cursos de Letras UFMS\/CPAQ<\/span><\/td>\n<td style=\"width: 16.69%;height: 96px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">2020<\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">2020<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 8.66964%;height: 96px\"><strong><b>Ensino<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 96px\"><span style=\"font-weight: 400\">6\u00ba Semin\u00e1rio para apresenta\u00e7\u00e3o de Trabalho de Conclus\u00e3o de Curso dos Cursos de Letras UFMS\/CPAQ<\/span><\/td>\n<td style=\"width: 16.69%;height: 96px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">2021<\/td>\n<td style=\"width: 20%;text-align: center;height: 96px\">2021<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Ensino<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Ciclo de Palestras: pr\u00e1ticas pedag\u00f3gicas inclusivas na educa\u00e7\u00e3o de surdos<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2023<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Ensino<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Ciclo de Palestras para estudantes no CPAQ: hist\u00f3ria de vida e pr\u00e1ticas pedag\u00f3gicas inclusivas na educa\u00e7\u00e3o de surdos<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Curso de Forma\u00e7\u00e3o em Libras<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2017<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2018<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">II Encontro dos Terenas Surdos<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2016<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2016<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Curso de extens\u00e3o para Forma\u00e7\u00e3o de professores ind\u00edgenas em l\u00edngua de sinais ind\u00edgenas &#8211; LSI<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2022<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2023<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">(Re)conecta Surdos de Mato Grosso do Sul<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2023<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Di\u00e1logos interinstitucionais: educa\u00e7\u00e3o, acessibilidade lingu\u00edstica e inclus\u00e3o de surdos (2024)<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Bruno Roberto Nantes Araujo<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Sociedade dos Leitores Vivos nas Escolas<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Jos\u00e9 Alonso Torres Freire<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2023<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Clube de Leitura da Sociedade dos Leitores Vivos<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Jos\u00e9 Alonso Torres Freire<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Sociedade dos Leitores Vivos nas Escolas \u2013 Ano II<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Jos\u00e9 Alonso Torres Freire<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">Oficina de Escrita Criativa nas Escolas<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Jos\u00e9 Alonso Torres Freire<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 8.66964%;height: 24px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 24px\"><span style=\"font-weight: 400\">VI Semin\u00e1rio da Sociedade dos Leitores Vivos<\/span><\/td>\n<td style=\"width: 16.69%;height: 24px\"><b><strong>Jos\u00e9 Alonso Torres Freire<\/strong><\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<td style=\"width: 20%;text-align: center;height: 24px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 56px\">\n<td style=\"width: 8.66964%;height: 56px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 56px\"><span style=\"font-weight: 400\">IV Semin\u00e1rio Nacional de L\u00ednguas e Linguagens da UFMS\/CPAQ e V Semin\u00e1rio da Sociedade dos Leitores Vivos<\/span><\/td>\n<td style=\"width: 16.69%;height: 56px\"><b>Flavio da\u00a0<\/b><b>Rocha\u00a0<\/b><b>Benayon\u00a0<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 56px\">2023<\/td>\n<td style=\"width: 20%;text-align: center;height: 56px\">2024<\/td>\n<\/tr>\n<tr style=\"height: 119px\">\n<td style=\"width: 8.66964%;height: 119px\"><strong><b>Pesquisa<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 119px\"><span style=\"font-weight: 400\">A morte na literatura: quest\u00f5es culturais e sociais<\/span><\/td>\n<td style=\"width: 16.69%;height: 119px\"><b>Coordenadora: Diana Milena Heck;<\/b><b>\u00a0Colaborador: Jos\u00e9 Alonso Torres Freire<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 119px\">2025<\/td>\n<td style=\"width: 20%;text-align: center;height: 119px\">&#8211;<\/td>\n<\/tr>\n<tr style=\"height: 47px\">\n<td style=\"width: 8.66964%;height: 47px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 47px\"><span style=\"font-weight: 400\">A\u00e7\u00f5es de curriculariza\u00e7\u00e3o da extens\u00e3o em disciplinas de L\u00edngua Espanhola<\/span><\/td>\n<td style=\"width: 16.69%;height: 47px\"><b>Diana Milena Heck<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 47px\">2025<\/td>\n<td style=\"width: 20%;text-align: center;height: 47px\">&#8211;<\/td>\n<\/tr>\n<tr style=\"height: 23px\">\n<td style=\"width: 8.66964%;height: 23px\"><strong><b>Ensino<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 23px\"><span style=\"font-weight: 400\">Programa de Inicia\u00e7\u00e3o \u00e0 Doc\u00eancia (PIBID)<\/span><\/td>\n<td style=\"width: 16.69%;height: 23px\"><b>Diana Milena Heck<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 23px\">2025<\/td>\n<td style=\"width: 20%;text-align: center;height: 23px\">2027<\/td>\n<\/tr>\n<tr style=\"height: 44px\">\n<td style=\"width: 8.66964%;height: 44px\"><strong><b>Extens\u00e3o<\/b><\/strong><\/td>\n<td style=\"width: 34.6404%;height: 44px\"><span style=\"font-weight: 400\">Summarium Universitatis: Projetos em 5 Minutos<\/span><\/td>\n<td style=\"width: 16.69%;height: 44px\"><b>Rejane de Aquino Souza<\/b><\/td>\n<td style=\"width: 20%;text-align: center;height: 44px\">2025<\/td>\n<td style=\"width: 20%;text-align: center;height: 44px\">2025<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n<div class=\"panel panel-info\"><div class=\"panel-heading\">Orienta\u00e7\u00f5es<\/div><div class=\"panel-body\">\n<div class=\"alert alert-info\">Orienta\u00e7\u00f5es de acad\u00eamicos da gradua\u00e7\u00e3o<\/div>\n<table class=\"table table-hover table-striped table-sm\" style=\"width: 100%;height: 1896px\">\n<tbody>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;text-align: center;height: 24px\"><strong>Orientador<\/strong><\/td>\n<td style=\"width: 24.8674%;text-align: center;height: 24px\"><strong>Orientado<\/strong><\/td>\n<td style=\"width: 53.2569%;text-align: center;height: 24px\"><strong>Titulo do Trabalho<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Jos\u00e9 Alonso Torres<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Gabriela Fontes Gon\u00e7alves<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">TR\u00caS MULHERES EM TRISTE FIM DE\u00a0POLICARPO QUARESMA.<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Jos\u00e9 Alonso Torres<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Arielle Santana Costa<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">A REPRESENTA\u00c7\u00c3O DA MULHER EM MISSA DO GALO E O ALIENISTA, DE MACHADO DE ASSIS<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Jos\u00e9 Alonso Torres<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Maristela Jorge de Oliveira Gomes<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">A REPRESENTA\u00c7\u00c3O DA MULHER IND\u00cdGENA NA LITERATURA BRASILEIRA CONTEMPOR\u00c2NEA<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Jos\u00e9 Alonso Torres<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Kahena Francisquini Pellicioni<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">A REPRESENTA\u00c7\u00c3O DA MULHER EM LUC\u00cdOLA e SENHORA, DE JOS\u00c9 DE ALENCAR<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Diana Milena Heck<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Claudia Cristina Joner<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">FACES DA MORTE e DO MORRER EM CONTOS DE LUIZ VILELA<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 21.8756%;height: 96px\" width=\"21%\">Diana Milena Heck<\/td>\n<td style=\"width: 24.8674%;height: 96px\" width=\"24%\">Maria Vict\u00f3ria Manduca de Paula e Silva<\/td>\n<td style=\"width: 53.2569%;height: 96px\" width=\"53%\">\u201cPENSEI QUE IAM ME CONSTRUIR, MAS ACABARAM ME DESTRUINDO\u201d: APONTAMENTOS SOBRE A RELA\u00c7\u00c3O ENTRE CAROLINA MARIA DE\u00a0JESUS E A IMPRENSA<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 21.8756%;height: 96px\" width=\"21%\">Diana Milena Heck<\/td>\n<td style=\"width: 24.8674%;height: 96px\" width=\"24%\">Silvania Pinheiro<\/td>\n<td style=\"width: 53.2569%;height: 96px\" width=\"53%\">OS IMPACTOS DAS LEIS 11.161\/2005 E 13.415\/2017 SOBRE O ENSINO DE L\u00cdNGUA ESPANHOLA EM ESCOLAS P\u00daBLICAS DE AQUIDAUANA E\u00a0ANAST\u00c1CIO \u2013 MS<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Diana Milena Heck<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Jackeliny Sampaio da Silva<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">OS IMPACTOS DA PANDEMIA NO ENSINO REMOTO DE L\u00cdNGUA ESPANHOLA<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 21.8756%;height: 96px\" width=\"21%\">Diana Milena Heck<\/td>\n<td style=\"width: 24.8674%;height: 96px\" width=\"24%\">Suzana Paulino da Silva<\/td>\n<td style=\"width: 53.2569%;height: 96px\" width=\"53%\">AN\u00c1LISE DAS MOTIVA\u00c7\u00d5ES DOS ALUNOS DO CURSO DE LETRAS PORTUGU\u00caS\/ESPANHOL PELA ESCOLHA DO CURSO DE GRADUA\u00c7\u00c3O E HABILITA\u00c7\u00c3O EM L\u00cdNGUA ESPANHOLA<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Rejane de Aquino Sousa<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Carlos Alexsander Borlinques de Barros<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">MEU P\u00c9 ESQUERDO &#8211; CHRISTY BROWN: INCLUS\u00c3O E PRECONCEITO<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Marcos Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Julianna de Lima Ortiz<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">DISSOLU\u00c7\u00c3O SOCIAL E AFLORAMENTO NARRATIVO EM DOIS IRM\u00c3OS.<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 21.8756%;height: 72px\" width=\"21%\">Marcos Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 24.8674%;height: 72px\" width=\"24%\">Suzy de Oliveira Rodrigues<\/td>\n<td style=\"width: 53.2569%;height: 72px\" width=\"53%\">JORNADAS E DESCOBERTAS EM A BOLSA AMARELA, DE LYGIA BOJUNGA, E BISA BIA, BISA BEL, DE ANA MARIA MACHADO.<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Samuel de Sousa Silva<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Daiane Chamorro<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">MERCADO INTERNACIONAL E O PRE\u00c7O DO P\u00c3O: UMA AN\u00c1LISE DISCURSIVA<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 21.8756%;height: 72px\" width=\"21%\">Samuel de Sousa Silva<\/td>\n<td style=\"width: 24.8674%;height: 72px\" width=\"24%\">Lucinete Constantino Eloi<\/td>\n<td style=\"width: 53.2569%;height: 72px\" width=\"53%\">\u201cA EVAS\u00c3O ESCOLAR NAS ALDEIAS DE MATO GROSSO DO\u00a0SUL: UM OLHAR SOBRE O DISCURSO PEDAG\u00d3GICO COMO INSTRUMENTO DE\u00a0ATRATIVIDADE ESCOLAR&#8221;<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\" width=\"21%\">Samuel de Sousa Silva<\/td>\n<td style=\"width: 24.8674%;height: 48px\" width=\"24%\">Mar\u00edlia Freire Barros<\/td>\n<td style=\"width: 53.2569%;height: 48px\" width=\"53%\">DESIGUALDADE SOCIAL: UMA DEN\u00daNCIA FEITA EM VERSOS<\/td>\n<\/tr>\n<tr style=\"height: 80px\">\n<td style=\"width: 21.8756%;height: 80px\"><span style=\"font-weight: 400\">Cristiane <\/span><span style=\"font-weight: 400\">Schmidt &#8211;<\/span><span style=\"font-weight: 400\">PIBIC<\/span><\/td>\n<td style=\"width: 24.8674%;height: 80px\">Ana Julia Alavarce Camara<\/td>\n<td style=\"width: 53.2569%;height: 80px\">Produ\u00e7\u00e3o de Document\u00e1rio Memorial\u00edstico: Autobiografias de Professores de L\u00ednguas<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 21.8756%;height: 96px\"><span style=\"font-weight: 400\">Cristiane <\/span><span style=\"font-weight: 400\">Schmidt &#8211;<\/span><span style=\"font-weight: 400\">PIBIC<\/span><\/td>\n<td style=\"width: 24.8674%;height: 96px\">Sabrina Lohany de Fran\u00e7a<br \/>\nLeanes<\/td>\n<td style=\"width: 53.2569%;height: 96px\">Relato de experi\u00eancia: A import\u00e2ncia do Programa Institucional de bolsas de Inicia\u00e7\u00e3o \u00e0 doc\u00eancia (PIBID) para a forma\u00e7\u00e3o de professores capacitados &#8211; Eixo da l\u00edngua portuguesa.<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\">Jos\u00e9 Alonso Torres Freire<\/td>\n<td style=\"width: 24.8674%;height: 48px\">Alline Daniele Char\u00e3o Escobar<\/td>\n<td style=\"width: 53.2569%;height: 48px\">O OLHAR DO CONTEMPOR\u00c2NEO EM &#8220;MEM\u00d3RIAS P\u00d3STUMAS DE BR\u00c1S CUBAS&#8221;<\/td>\n<\/tr>\n<tr style=\"height: 48px\">\n<td style=\"width: 21.8756%;height: 48px\">Jos\u00e9 Alonso Torres Freire<\/td>\n<td style=\"width: 24.8674%;height: 48px\">Cl\u00e9ia de Souza Ribeiro Camargo<\/td>\n<td style=\"width: 53.2569%;height: 48px\">A POESIA EM SALA DE AULA: UMA CONTRIBUI\u00c7\u00c3O A PARTIR DA ATUA\u00c7\u00c3O DE CEC\u00cdLIA MEIRELES COMO EDUCADORA<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;height: 24px\">Flavio da Rocha Benayon &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 24px\">Rian Caetano de Oliveira<\/td>\n<td style=\"width: 53.2569%;height: 24px\">RELIGI\u00c3O E HOMOSSEXUALIDADE: PRODU\u00c7\u00c3O DE SENTIDOS EM<br \/>\nENTREVISTAS COM L\u00cdDERES<br \/>\nRELIGIOSOS EVANG\u00c9LICOS<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;height: 24px\">Flavio da Rocha Benayon &#8211; PIVIC<\/td>\n<td style=\"width: 24.8674%;height: 24px\">Fernanda Detol da Silva<\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">TERRA EM DISPUTA: SENTIDOS EM<\/span> <span style=\"font-weight: 400\">TENS\u00c3O NO MATO GROSSO DO SUL<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;height: 24px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 24px\"><span style=\"font-weight: 400\">C\u00e1ssia Ferreira<\/span> <span style=\"font-weight: 400\">Gomes (em<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Constitui\u00e7\u00e3o infensa em contos de Maria<\/span> <span style=\"font-weight: 400\">Judite de Carvalho<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;height: 24px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 24px\"><span style=\"font-weight: 400\">Elimara Mendes da<\/span> <span style=\"font-weight: 400\">Ora (em<\/span> <span style=\"font-weight: 400\">andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Dimens\u00f5es conflitivas em <\/span><i><span style=\"font-weight: 400\">Contos<\/span><\/i> <i><span style=\"font-weight: 400\">impopulare<\/span><\/i><span style=\"font-weight: 400\">s, de Agustina Bessa-Lu\u00eds<\/span><\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 21.8756%;height: 96px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 96px\"><span style=\"font-weight: 400\">M\u00f4nica Monteiro<\/span> <span style=\"font-weight: 400\">Oru\u00ea (em<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">andamento)<br \/>\n<\/span><\/td>\n<td style=\"width: 53.2569%;height: 96px\"><span style=\"font-weight: 400\">Ru\u00ednas narrativas em <i>O retorno<\/i>, de Dulce Maria Cardoso. <\/span><\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 21.8756%;height: 72px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 72px\"><span style=\"font-weight: 400\">Clauber Albres<\/span><span style=\"font-weight: 400\">\u00a0<\/span><span style=\"font-weight: 400\">Silva (2023)<br \/>\n<\/span><\/td>\n<td style=\"width: 53.2569%;height: 72px\"><span style=\"font-weight: 400\">Entrela\u00e7amento mitol\u00f3gico temporal em contos de Ant\u00f3nio Vieira <\/span><\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 21.8756%;height: 72px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 72px\"><span style=\"font-weight: 400\">Paulo C\u00e9sar Lopes Pereira (2023)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 72px\"><span style=\"font-weight: 400\">Aprecia\u00e7\u00f5es cr\u00edticas e perspectivas compositivas em cria\u00e7\u00f5es po\u00e9ticas de Manoel de Barros<\/span><\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 21.8756%;height: 72px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 72px\"><span style=\"font-weight: 400\">Let\u00edcia Dantas da Silva (2023)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 72px\"><span style=\"font-weight: 400\">Reflex\u00f5es compositivas sobre a morte em &#8220;O que cada um disse&#8221; e &#8220;Corpos&#8221;, de Luiz Vilela<\/span><\/td>\n<\/tr>\n<tr style=\"height: 136px\">\n<td style=\"width: 21.8756%;height: 136px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 136px\"><span style=\"font-weight: 400\">Odaiza Rodem<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Sim\u00e3o (2023)<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u00a0<\/span><\/td>\n<td style=\"width: 53.2569%;height: 136px\"><span style=\"font-weight: 400\">Estudo comparativo entre o M\u00e9todo recepcional e o Letramento liter\u00e1rio: avan\u00e7os e limita\u00e7\u00f5es<\/span><\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 21.8756%;height: 72px\">Marcos Rog\u00e9rio Heck Dorneles &#8211; TCC<\/td>\n<td style=\"width: 24.8674%;height: 72px\"><span style=\"font-weight: 400\">La\u00eds Gabriela<\/span><span style=\"font-weight: 400\">\u00a0<\/span><span style=\"font-weight: 400\">Chimenes<\/span><span style=\"font-weight: 400\">\u00a0<\/span><span style=\"font-weight: 400\">Nascimento (em andamento)<br \/>\n<\/span><\/td>\n<td style=\"width: 53.2569%;height: 72px\"><span style=\"font-weight: 400\">Movimenta\u00e7\u00f5es filos\u00f3ficas elusivas em narrativas de Machado de Assis<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;height: 24px\">Bruno Roberto Nantes Araujo<\/td>\n<td style=\"width: 24.8674%;height: 24px\"><span style=\"font-weight: 400\">Giovanna Fernandes<\/span><\/td>\n<td style=\"width: 53.2569%\" width=\"566\">Relato e experi\u00eancia de uma m\u00e3e de surdos no munic\u00edpio de Aquidauana-MS<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;height: 24px\">Bruno Roberto Nantes Araujo<\/td>\n<td style=\"width: 24.8674%;height: 24px\"><span style=\"font-weight: 400\">Ronan Sanabria Pires<\/span><\/td>\n<td style=\"width: 53.2569%\" width=\"566\">Narrativas de estudantes da EJA e AJA de uma escola estadual do munic\u00edpio de Aquidauana\/MS: uma an\u00e1lise de suas perspectivas educacionais<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 21.8756%;height: 24px\">Bruno Roberto Nantes Araujo<\/td>\n<td style=\"width: 24.8674%;height: 24px\"><span style=\"font-weight: 400\">Hudson Correa Genovez<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Estudos sobre a varia\u00e7\u00e3o lingu\u00edstica dos sinais -termos das l\u00ednguas de sinais do Bras<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"alert alert-info\">Orienta\u00e7\u00f5es de P\u00f3s-gradua\u00e7\u00e3o<\/div>\n<table class=\"table table-hover table-striped table-sm\" style=\"width: 100%;height: 1504px\">\n<tbody>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px;text-align: center\"><strong>Orientador<\/strong><\/td>\n<td style=\"width: 14.7889%;height: 24px;text-align: center\"><strong>Orientado<\/strong><\/td>\n<td style=\"width: 12.4337%;height: 24px;text-align: center\"><strong>N\u00edvel<\/strong><\/td>\n<td style=\"width: 53.2569%;height: 24px;text-align: center\"><strong>Titulo do Trabalho<\/strong><\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 19.5204%;height: 96px\" width=\"16%\">Jos\u00e9 Alonso Torres<\/td>\n<td style=\"width: 14.7889%;height: 96px\" width=\"20%\">Samuel de Souza Silva<\/td>\n<td style=\"width: 12.4337%;height: 96px\" width=\"15%\">P\u00f3s-Doutorado<\/td>\n<td style=\"width: 53.2569%;height: 96px\" width=\"47%\">A MULHER, O DESEJO E O MEDO: REPRESENTA\u00c7\u00c3O DA MULHER NA LITERATURA PELA INTERSEC\u00c7\u00c3O ORIENTE-OCIDENTE NA OBRA \u201cAS CABE\u00c7AS TROCADAS\u201d (2000) DE THOMAS MANN<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 19.5204%;height: 72px\" width=\"16%\">Jos\u00e9 Alonso Torres<\/td>\n<td style=\"width: 14.7889%;height: 72px\" width=\"20%\">Mateus Calvis Soares<\/td>\n<td style=\"width: 12.4337%;height: 72px\" width=\"15%\">Mestrado<\/td>\n<td style=\"width: 53.2569%;height: 72px\" width=\"47%\">O TEATRO DAS SOMBRAS EM \u201cCICATRIZES DE RISCO\/CREP\u00daSCULO DAS LUZES\u201d (2001), DE CIDA RODRIGUES\u201d.<\/td>\n<\/tr>\n<tr style=\"height: 144px\">\n<td style=\"width: 19.5204%;height: 144px\" width=\"16%\">Cristiane Schmidt<\/td>\n<td style=\"width: 14.7889%;height: 144px\" width=\"20%\">Daniele Ang\u00e9lica Borges Foletto<\/p>\n<p>&nbsp;<\/td>\n<td style=\"width: 12.4337%;height: 144px\" width=\"15%\">Mestrado<\/td>\n<td style=\"width: 53.2569%;height: 144px\" width=\"47%\">EXPRESS\u00d5ES IDIOM\u00c1TICAS EM CONTEXTO DE ENSINO DE L\u00cdNGUA INGLESA A PARTIR DE S\u00c9RIES TELEVISAS.<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 19.5204%;height: 72px\" width=\"16%\">Cristiane Schmidt<\/td>\n<td style=\"width: 14.7889%;height: 72px\" width=\"20%\">Fabiana da Silva Lira<\/td>\n<td style=\"width: 12.4337%;height: 72px\" width=\"15%\">Mestrado<\/td>\n<td style=\"width: 53.2569%;height: 72px\" width=\"47%\">UM ESTUDO SOCIOLINGU\u00cdSTICO EM UMA ESCOLA DO MATO GROSSO A PARTIR DE PRODU\u00c7\u00d5ES TEXTUAIS E METODOLOGIAS DE ENSINO<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 19.5204%;height: 72px\" width=\"16%\">Cristiane Schmidt<\/td>\n<td style=\"width: 14.7889%;height: 72px\" width=\"20%\">Yara Fernanda de Oliveira<\/td>\n<td style=\"width: 12.4337%;height: 72px\" width=\"15%\">Mestrado<\/td>\n<td style=\"width: 53.2569%;height: 72px\" width=\"47%\">A VARIA\u00c7\u00c3O LINGU\u00cdSTICA NO CONTEXTO ESCOLAR DE L\u00cdNGUA PORTUGUESA NA CIDADE DE C\u00c1CERES-MT<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 19.5204%;height: 72px\" width=\"16%\">Vin\u00edcius Oliveira de Oliveira<\/td>\n<td style=\"width: 14.7889%;height: 72px\" width=\"20%\">Helen Castelo Branco de Sousa<\/td>\n<td style=\"width: 12.4337%;height: 72px\" width=\"15%\">Especializa\u00e7\u00e3o<\/td>\n<td style=\"width: 53.2569%;height: 72px\" width=\"47%\">CONSTRUINDO SENTIDO COM PICTUREBOOKS EM AULAS DE INGL\u00caS<\/td>\n<\/tr>\n<tr style=\"height: 72px\">\n<td style=\"width: 19.5204%;height: 72px\" width=\"16%\">Vin\u00edcius Oliveira de Oliveira<\/td>\n<td style=\"width: 14.7889%;height: 72px\" width=\"20%\">Carmen da Paix\u00e3o Cavalcante<\/td>\n<td style=\"width: 12.4337%;height: 72px\" width=\"15%\">Especializa\u00e7\u00e3o<\/td>\n<td style=\"width: 53.2569%;height: 72px\" width=\"47%\">RECURSOS DIGITAIS COMO ASPECTOS MOTIVACIONAIS NO ENSINO DE INGL\u00caS PARA CRIAN\u00c7AS<\/td>\n<\/tr>\n<tr style=\"height: 120px\">\n<td style=\"width: 19.5204%;height: 120px\" width=\"16%\">Vin\u00edcius Oliveira de Oliveira<\/td>\n<td style=\"width: 14.7889%;height: 120px\" width=\"20%\">Marco Andr\u00e9 Franco de Ara\u00fajo<\/td>\n<td style=\"width: 12.4337%;height: 120px\" width=\"15%\">Especializa\u00e7\u00e3o<\/td>\n<td style=\"width: 53.2569%;height: 120px\" width=\"47%\">O ENSINO DE INGL\u00caS PARA CRIAN\u00c7AS: DA AUS\u00caNCIA DE DOCUMENTOS OFICIAIS \u00c0<\/p>\n<p>FORMA\u00c7\u00c3O DOCENTE<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 19.5204%;height: 96px\" width=\"16%\">Vin\u00edcius Oliveira de Oliveira<\/td>\n<td style=\"width: 14.7889%;height: 96px\" width=\"20%\">J\u00e9ssica Greg\u00f3rio Pereira Juvencio<\/td>\n<td style=\"width: 12.4337%;height: 96px\" width=\"15%\">Especializa\u00e7\u00e3o<\/td>\n<td style=\"width: 53.2569%;height: 96px\" width=\"47%\">PRODU\u00c7\u00c3O DE RECURSOS EDUCACIONAIS ABERTOS (REA) PARA O ENSINO DE L\u00cdNGUA PORTUGUESA NO BRASIL CONTEMPOR\u00c2NEO<\/td>\n<\/tr>\n<tr style=\"height: 96px\">\n<td style=\"width: 19.5204%;height: 96px\" width=\"16%\">Vin\u00edcius Oliveira de Oliveira<\/td>\n<td style=\"width: 14.7889%;height: 96px\" width=\"20%\">Geraldo Jos\u00e9 Rodrigues Liska<\/td>\n<td style=\"width: 12.4337%;height: 96px\" width=\"15%\">Especializa\u00e7\u00e3o<\/td>\n<td style=\"width: 53.2569%;height: 96px\" width=\"47%\">AVALIA\u00c7\u00c3O DE PROT\u00d3TIPOS DE ENSINO E RECURSOS EDUCACIONAIS ABERTO PARA\u00a0O ENSINO E APRENDIZAGEM DE L\u00cdNGUA MATERNA COM GAMES, GAMIFICA\u00c7\u00c3O E CULTURA MAKER<\/td>\n<\/tr>\n<tr style=\"height: 136px\">\n<td style=\"width: 19.5204%;height: 136px\"><span style=\"font-weight: 400\">Cristiane <\/span><span style=\"font-weight: 400\">Schmidt<\/span><\/td>\n<td style=\"width: 14.7889%;height: 136px\"><span style=\"font-weight: 400\">Yara<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Fernand<\/span><span style=\"font-weight: 400\">a de<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Oliveira<\/span><\/td>\n<td style=\"width: 12.4337%;height: 136px\"><span style=\"font-weight: 400\">Mestrado\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">(PPGL\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UNEMAT)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 136px\"><span style=\"font-weight: 400\">A Varia\u00e7\u00e3o Lingu\u00edstica no Contexto<\/span> <span style=\"font-weight: 400\">Escolar de L\u00edngua Portuguesa na<\/span> <span style=\"font-weight: 400\">Cidade de C\u00e1ceres-MT<\/span><\/td>\n<\/tr>\n<tr style=\"height: 160px\">\n<td style=\"width: 19.5204%;height: 160px\"><span style=\"font-weight: 400\">Cristiane\u00a0<\/span><span style=\"font-weight: 400\">Schmidt<\/span><\/td>\n<td style=\"width: 14.7889%;height: 160px\"><span style=\"font-weight: 400\">Flaviane<\/span> <span style=\"font-weight: 400\">Leite da<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Silva<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Cassia<\/span><\/td>\n<td style=\"width: 12.4337%;height: 160px\"><span style=\"font-weight: 400\">Mestrado\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">(PPGL\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UNEMAT)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 160px\"><span style=\"font-weight: 400\">A Varia\u00e7\u00e3o Lingu\u00edstica do Falar<\/span> <span style=\"font-weight: 400\">Campon\u00eas: um Estudo sobre o<\/span> <span style=\"font-weight: 400\">Preconceito Lingu\u00edstico na Escola<\/span> <span style=\"font-weight: 400\">Estadual Santa Rosa, em S\u00e3o Jos\u00e9<\/span> <span style=\"font-weight: 400\">Dos Quatro Marcos-MT<\/span><\/td>\n<\/tr>\n<tr style=\"height: 56px\">\n<td style=\"width: 19.5204%;height: 56px\"><span style=\"font-weight: 400\">Cristiane\u00a0<\/span><span style=\"font-weight: 400\">Schmidt<\/span><\/td>\n<td style=\"width: 14.7889%;height: 56px\"><span style=\"font-weight: 400\">T\u00e2nia<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Maria<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">San\u00e1bria<\/span> <span style=\"font-weight: 400\">Carvalho<\/span> <span style=\"font-weight: 400\">Tolotti.<\/span><\/td>\n<td style=\"width: 12.4337%;height: 56px\"><span style=\"font-weight: 400\">Mestrado\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">(PPGL\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UNEMAT)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 56px\"><span style=\"font-weight: 400\">Um Estudo Sociolingu\u00edstico do<\/span> <span style=\"font-weight: 400\">Cururu frente \u00e0s Varia\u00e7\u00f5es e o<\/span> <span style=\"font-weight: 400\">Preconceito Lingu\u00edstico<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Ian Rari<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">N<\/span><span style=\"font-weight: 400\">ogueira<\/span> <span style=\"font-weight: 400\">Faria<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Mestrado<\/p>\n<p><span style=\"font-weight: 400\">PPGCult\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\/UFMS\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">(2024)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Contribui\u00e7\u00f5es da m\u00fasica regional na<\/span> <span style=\"font-weight: 400\">constru\u00e7\u00e3o da identidade<\/span> <span style=\"font-weight: 400\">hist\u00f3rico-cultural do Mato Grosso do<\/span> <span style=\"font-weight: 400\">Sul &#8211; sendas em can\u00e7\u00f5es de Geraldo<\/span> <span style=\"font-weight: 400\">Roca<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Clea<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Marcia<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Louren\u00e7o<\/span> <span style=\"font-weight: 400\">Carvalho<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Mestrado<\/p>\n<p><span style=\"font-weight: 400\">PPGLetras\/\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UFMS (em andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Di\u00e1logos narrativos sobre tens\u00f5es<\/span> <span style=\"font-weight: 400\">conflitivas e compositivas em contos de<\/span> <span style=\"font-weight: 400\">James Joyce e Luiz Vilela<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Let\u00edcia<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Ribeiro<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Pereira<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Mestrado<\/p>\n<p><span style=\"font-weight: 400\">PPGCult\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\/UFMS\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">(2024)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Descolonialidades, feminismo negro,<\/span> <span style=\"font-weight: 400\">artes e resist\u00eancias nas produ\u00e7\u00f5es<\/span> <span style=\"font-weight: 400\">culturais de Concei\u00e7\u00e3o Evaristo, Ellen<\/span> <span style=\"font-weight: 400\">Ol\u00e9ria e Carmen Faustino<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Ang\u00e9lica<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Cristina<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">da Silva<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Mestrado<\/p>\n<p><span style=\"font-weight: 400\">PPGCult\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\/UFMS\u00a0<\/span><span style=\"font-weight: 400\">(em andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Personagens, linguagens, subjetividades<\/span> <span style=\"font-weight: 400\">na constru\u00e7\u00e3o de sujeitos em contos de<\/span> <i><span style=\"font-weight: 400\">D<\/span><\/i><i><span style=\"font-weight: 400\">oramar ou odisseia<\/span><\/i><span style=\"font-weight: 400\">, de Itamar Vieira<\/span> <span style=\"font-weight: 400\">J\u00fanior<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Maria de<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">F\u00e1tima<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Alves<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Bonif\u00e1cio<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Mestrado<\/p>\n<p><span style=\"font-weight: 400\">PPGCult\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\/UFMS\u00a0<\/span><span style=\"font-weight: 400\">(em andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Estudos culturais e narrativas orais:<\/span> <span style=\"font-weight: 400\">diminui\u00e7\u00e3o dos contadores de causos<\/span> <span style=\"font-weight: 400\">no pantanal e sua influ\u00eancia na<\/span> <span style=\"font-weight: 400\">transmiss\u00e3o da heran\u00e7a cultural e na<\/span> <span style=\"font-weight: 400\">constru\u00e7\u00e3o da identidade local<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos Rog\u00e9rio Heck Dorneles (coorientador)<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Maria<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Luiza<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Correa da<\/span> <span style=\"font-weight: 400\">Silva<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Doutorado<\/p>\n<p><span style=\"font-weight: 400\">PPGLetras\/\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UFMS (em andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Um feminino-monstruoso fant\u00e1stico:<\/span> <span style=\"font-weight: 400\">uma an\u00e1lise comparada de <\/span><i><span style=\"font-weight: 400\">Mand\u00edbula<\/span><\/i><span style=\"font-weight: 400\">,<\/span> <span style=\"font-weight: 400\">de M\u00f3nica Ojeda, e <\/span><i><span style=\"font-weight: 400\">Raquel 1:1<\/span><\/i><span style=\"font-weight: 400\">, de<\/span> <span style=\"font-weight: 400\">Mariana Bastos.<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Enilze de<\/span> <span style=\"font-weight: 400\">Souza<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Breguedo<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Doutorado<\/p>\n<p><span style=\"font-weight: 400\">PPGLetras\/\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UFMS (em andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">A po\u00e9tica inscrita nos contos ind\u00edgenas<\/span> <span style=\"font-weight: 400\">de Daniel Munduruku.<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Silvania<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Saldanha<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">da Silva.<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Doutorado<\/p>\n<p><span style=\"font-weight: 400\">PPGLetras\/\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UFMS (em andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Acessibilidade liter\u00e1ria.<\/span><\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"width: 19.5204%;height: 24px\">Marcos\u00a0Rog\u00e9rio Heck Dorneles<\/td>\n<td style=\"width: 14.7889%;height: 24px\"><span style=\"font-weight: 400\">Ilka<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Vanessa<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Meireles<\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Santos<\/span><\/td>\n<td style=\"width: 12.4337%;height: 24px\">Doutorado<\/p>\n<p><span style=\"font-weight: 400\">PPGLetras\/\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">UFMS (em andamento)<\/span><\/td>\n<td style=\"width: 53.2569%;height: 24px\"><span style=\"font-weight: 400\">Representa\u00e7\u00f5es da viol\u00eancia falocr\u00e1tica<\/span> <span style=\"font-weight: 400\">em contos de Julia Lopes de Almeida,<\/span> <span style=\"font-weight: 400\">Adalgisa Nery e Alciene Ribeiro Leite<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1449,"featured_media":0,"parent":32692,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-coordenadorias.php","meta":{"footnotes":""},"coauthors":[],"class_list":["post-32699","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/pages\/32699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/users\/1449"}],"replies":[{"embeddable":true,"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/comments?post=32699"}],"version-history":[{"count":14,"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/pages\/32699\/revisions"}],"predecessor-version":[{"id":36483,"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/pages\/32699\/revisions\/36483"}],"up":[{"embeddable":true,"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/pages\/32692"}],"wp:attachment":[{"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/media?parent=32699"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/cpaq.ufms.br\/en\/wp-json\/wp\/v2\/coauthors?post=32699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}